- Red Post Collection: Victorious Aatrox Ult Form Wing Updates, True Damage Merch, & More
- 11/13 PBE Update: Victorious Aatrox Splash Art, True Damage Border Update, & More
Table of Contents
- Quick Gameplay Thoughts: November 15
- Giants & POP/STARS: Making Music With Sound Design
- All-Star 2019 Voting Live
- Legends of Runeterra Expeditions Patch Preview
- Miscellaneous
- Reminders
Quick Gameplay Thoughts: November 15
"Hi folks,
Usual Disclaimers
These posts will often contain talk about future work we're doing, or planning to do, that isn't yet guaranteed to ship. The nature of the work could change or, depending on what we discover, projects mentioned may get delayed or even stopped. If you'd like to see a Tweet whenever a new one of these posts goes up: https://twitter.com/RiotMeddler
Thoughts on Senna so far
Initial thoughts on Senna below. It's still early days so these are more current observations than things we're extremely confident in.
- Senna's looking a bit stronger than we predicted she'd be in her first few days. She's not sufficiently powerful to currently need balance changes however. She might end up being too strong in a while, depending on how her power grows as people master her kit, we'll wait and see before jumping to any conclusions though. We don't have any changes for her in 9.23, intent is to assess her again once we see where the combination of preseason changes and increasing player experience with her ends up.
- From what we've seen she's effective as both a support and an ADC as hoped. Early indications are that both Lethality and Enchanter style builds are reasonable choices on support Senna.
- Two of Senna's intended weaknesses seem to be present as hoped so far. She's vulnerable to getting jumped on and is more vulnerable to skill shots/AoEs while attacking, given how long her attack frame immobilizes her.
- Senna's clearly too strong on ARAM. We're cutting her soul generation on ARAM back down to the same rates as on other maps as a result in 9.23. It was set higher for launch since other stacking champs have needed accelerated stacking on ARAM to avoid being excessively weak. That doesn't seem necessary in Senna's case now that we see how she actually performs in ARAM.
Kit Updates and the dangers of creating multiple incompatible audiences
A problem we've noticed with champions who've had their playstyles change really substantially is that we end up with multiple potential audiences for those champions whose needs can end up being incompatible. Karma's a particularly good example of that, with significant playerbase segments who want original Karma (1.11 to 3.4), initially reworked Karma (3.5 - 5.9) and current Karma (5.10+). While there's certainly overlap between what those groups want from Karma as a character there are also substantial differences. For cases like this as a result meeting the needs of one group can often come at the cost of excluding others. That's not a unique situation to kits that have been changed a lot, but it is a particularly amplified one. Other clear examples include Graves (bot lane players wanting a more standard ADC experience versus other players after the jungle/short range version) or Le Blanc (original/current kit versus the less bursty more clone focused kit the assassin update tried).
Going forward there are two things in particular we're keeping in mind for the next time we get a situation with incompatible group needs like that. The first is to try and identify cases where we've missed the mark for existing players quickly and then, if feasible/appropriate, adjust things before a significant player group become attached to the new form of the champion. Reverts like with Kog, LB and Rengar are examples of where that overall went well in our eyes since they happened comparatively quickly. The second is to avoid splitting audiences again if at all possible. Trying to serve two distinct audiences is tough already, adding a third direction to the mix makes it much harder again and all but guarantees we’'ll be leaving a lot of players unhappy.
Some significant bugs being worked on
While I don't normally get into individual bugs here I figured these three had a wide enough impact that an update would be appropriate:
We've got a fix for an issue causing this and will have it in 9.23 next week.
- Camera locking sometimes even though you're playing with unlocked camera
We've got a lead on this one but don't have a fix yet.
- Client minimizing sometimes mid game when extra mouse buttons are pressed
This one's proven hard to track down a cause on. At time of writing we've just identified a possible cause and are about to start looking into what a fix would look like and what sort of timeframe that would involve.
- Client Freeze/Crash in loading screen
Upcoming TFT Patches
Overall we feel the new TFT Set is in a pretty good place balance wise. We'll be making moderately sized changes only as a result as we head into the start of the ranked season for TFT next week. We're expecting that some strategies will become clearly strong once ranked turns on and people start playing more optimally. Overall though we're cautiously optimistic based off play so far that Rise of the Elements will be easier to keep a wide range of comps viable in at once than Set 1 was, due both to the pool size changes and the design of its traits.
In patch 9.24 (last major patch of the year) we'll then be introducing a few new units to round out the roster a bit. Expect to see those on PBE next week, with two of those units being from a new class."
Meddler commented on Winter break and patch scheduling:
"Winter break - 9.24 is the last big patch of the year and is currently scheduled for December 10th. We're planning on then doing a 9.24b, probably sometime around December 17th at a rough guess. We'll then have the first patch of 2020, patch 10.1, about a week into January."
He also commented on how balance differs during the first and second week of the PBE cycle:
"We're generally doing simple changes in the second week of a patch now so that we've got a bit more time to see how the previous patch stabilized before adjusting anything. That means the first week of each patch gets used for more complex work like changing spell functionality meaningfully, preseason projects etc."
Meddler also noted the Zilean skin was aimed for the 9.24 PBE cycle:
"Zilean - currently aiming for patch 9.24, so mid December.
Smaller updates - we don't have a list available to share. Generally we'll talk about each update as soon as its solid enough for discussion."
Giants & POP/STARS: Making Music With Sound Design
Here's Riot Cashmiir with a dev blog on making music for band skins - "A behind-the-scenes look at how we designed sound effects for the K/DA and True Damage skins."
"Dear Music,
We love you.
Sincerely,
Riot Games
Seriously. If we weren’t making games, we’d probably just make music. We’ve released two metal albums, six Worlds songs, countless champion themes, a K-pop chart topper, and a hard-hitting hip hop/trap/EDM hybrid slapper.
But when it came time to translate the music from K/DA and True Damage into in-game sound effects, we discovered a bunch of new challenges. We’d never made skin lines based off real-life music before, and we didn’t know what exactly we’d run into along the way.
Before we get into all that, let’s take a quick look at how sound effects are designed for League.
Sound Effects… How Do You Even?
Sound design in League should be seamless. It should tell you how abilities work. Hard hitting spells and attacks should sound hard. Stuns should make players feel like they’ve been caught in a bear trap. More importantly, they shouldn’t detract from gameplay.
Picture this:
You bought a nice new skin for your main. Animations are clean and you smash lane. Now it’s time to teamfight. You’re greeted not with the missing pings of an impressed team and a prompt enemy team “ff20” in chat. Instead, you’re told that your new skin is too loud and now everyone’s deaf. Thanks.
That’s what the sound designers want to avoid. It’s all about clarity and balance. But how do you maintain those while working within the confines of a song?
The Realest Sound Design in the Game
K/DA was uncharted territory. So in the beginning, sound designer Julian “Riot Zimberfly” Samal began exploring K-pop to understand what K/DA was and wasn’t before it even… was.
After hours upon hours of research (read: listening to tons of K-pop), he narrowed K/DA’s sound palette down to a list of adjectives that felt cohesive with the early cut of “POP/STARS.” Edgy. Glamorous. Bombastic.
Early version of “POP/STARS”
“I really wanted to deliver something authentic,” explains Riot Zimberfly. “Sebastien Najand, the composer for POP/STARS, poured so much passion into the song. It’s a love letter to K-pop, so I wanted the in-game sound effects to deliver on that.”
Riot Zimberfly also needed to make sure that he stayed true to early skin concepts. Not too bubblegum. Not too hard. Not too electronic. Like a bowl of porridge, it had to be just right.
“Over the process, I learned a lot and the song grew and evolved. There were key modulations and adjustments,” explains Riot Zimberfly. “I had to go back to Ahri and Eve a lot, since they were the first two. And when I got to Kai’Sa, my sound palette had grown and changed to the point where there was a noticeable difference in the thematic language from Ahri to Kai’Sa, which required design cohesion passes across all four champions.”
K/DA Ahri’s early E sound effect
K/DA Ahri’s final E sound effect
Ahri’s earliest iteration leaned a little bit too heavily into the realm of bubblegum pop, so Riot Zimberfly used the new, clearer design palette to give her SFXs another pass. Because her kit contains more “looping buff” than “hard-hitting impact,” Ahri’s sound effects are more heavily influenced by K/DA-inspired music rather than punchy musical snippets from “POP/STARS” directly. But a careful balance needs to be struck between music and sound effects.
“It’s easy to try to inject music everywhere in these skins,” Riot Zimberfly explains. “Because you want to give players this wonderful musical experience, but you really don’t want to interrupt gameplay. It’s also easy to hold off and then leave the skin feeling empty.”
K/DA Ahri’s early passive sound effect (which later became Akali’s shroud)
K/DA Ahri’s final passive sound effect
Sometimes the sound designers’ earliest versions are their favorites, but that doesn’t mean they’re the best.
“You can’t design sound in a vacuum,” explains Riot Zimberfly. “Because in a game like League everything comes down to context and champ playstyle. Kai’Sa plays like an assassin, so she dives in and unloads everything. And that can be really sonically overwhelming if you’re not careful.”
Early drafts of Kai’Sa’s sound effects were really satisfying… in isolation. But while watching some Kai’Sa mains use the skin, Riot Zimberfly realized that he hadn’t taken playstyle into consideration. After hitting an enemy with Void Seeker and diving into the backline with Killer Instinct, Kai’Sa would unload her arsenal of Void infused weaponry, bombarding her enemies with an onslaught of harmonic and melodic motifs that quickly became too much.
Several rounds of tweaking and feedback later, and Kai’Sa found herself with snappy sound effects. They were flashy and bombastic, but more importantly they didn’t overwhelm the other players with a symphony of percussive hits.
Kai’Sa’s full base kit sound effects
http://www.surrenderat20.net/2019/11/red-post-collection-qgt-november-15.html
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